Post Academic


A publishing how-to: Tips from Stacey Pierson, Ph.D. (Part 1)

Stacey Pierson is Lecturer (which translates to Assistant Professor here in the States) at the School of Oriental and African Studies (SOAS), University of London, specializing in Chinese Ceramics and Museum Studies.  She is also the one-time curator of the prestigious Percival David Foundation of Chinese Art, and I imagine she could also probably work as a junior archeologist, ace appraiser, and Chinese translator, if she wanted to!

"Chinese Ceramics book cover" (Courtesy of Stacey Pierson)

But, for our purposes here at Post Academic, it’s her experiences as a published author of two books–Chinese Ceramics: A Design History (V&A, 2009) and Collectors, Collections and Museums: the Field of Chinese Ceramics in Britain, 1560-1960 (Peter Lang, 2007)–and her current post as the Editor of the journal Transactions of the Oriental Ceramics Society that we’re most interested in.  Over the next few days, Dr. Pierson will be sharing her insights on academic publishing from her multiple perspectives as a scholar, writer, and editor.  Today, she tells us about the process of pitching a book proposal, converting a diss manuscript into a book, and writing for multiple audiences–all of which she juggled at the same time.

Post Academic: Can you tell us about the process you went through in publishing your books, from the initial drafting of the manuscript to pitching it to publishers to the production of the book?

Stacey Pierson: My first book was essentially my dissertation, which was already written, so I initially researched academic publishers who include my subject area in their list, Chinese art history. After doing this, and discovering that most have detailed instructions on how to approach them and write a proposal, I sent out an initial proposal to a very prestigious publisher, for the experience mainly.

The interview continues below the fold

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